Стихи и поэмы. Проза. Переводы. Письма. О поэте. Фото и видео.

Переводы

Translated by Eugene Ostashevsky

since morning the street was lined with
glass towers chiming like salami
dangled from vacuum

from any vantage transpicuous
intersections of buzz and breeze
          (nerves) as
if all’s about these: contacts and contracts
ring and if anything sting

read today: 2
Translated by Григорій Брайнін

Від морока я відокремився, наче кумкнула пакля,
позаду місто істериків чорніло в крейдяному спазмі,
було мляве сонце, положисте море пахло,
повертаючись в тіло, я втямив, що Боже спас мя.

read today: 2
Translated by Wayne Chambliss

Flaring in epithelial darkness, as if bitten
by a rabid, magnetic gesture—
all at once—body, converted to hydrogen
all at once—hydrogen under pressure.

Magnetic pressures, within and without,
the bear hibernates in a lush’s cranium.
When the room starts to spin, the bear rushes out
and deposits itself for a glass of uranium.

read today: 1
Translated by Wayne Chambliss

Knee deep in mud. For centuries, we have stood where the bogwaters suck.
In the grasp of the inanimate,

there are no straight lines. A sack race is good for a laugh.
And like the Lord’s own trumpets, funnels multiply in the muck.

Once again, darling, yours is a resinous, intimate whisper.
Once again, I’ll bring you pelts and sprigs of heather.

read today: 1
Translated by Wayne Chambliss

Who led me across the city that morning?
Behind the railway station, he sat me down at a low
wooden table and produced a bottle. We cracked it like a watermelon.
My Adam's apple bobbing, as though I and the rails had shared the swallow.

On the fence was a pumpkin. I used to think the elixir of debility
was in the potato. But no! It's in the pumpkin,
an octave below. From the instability
of its inner glow, fingers of pulp emerge as if counting.

read today: 1
comments: 1
Translated by Wayne Chambliss

Perched on one foot, latching a sandal.
First I see an olive tree—and then the magnetic tree.
Orbits of objects, carefully balanced.
Flick the pupil and, as if by prayer, a lizard is vanquished.

read today: 1
Translated by Christine Zeytounian-Belous

Ma vie en est à son milieu, on pourrait planter un compas dans cette date.
La ligne de partage des eaux entre les fleuves Sud et Nord est un kilomètre absent.
La prenant pour un tunnel, tu sens comme sont étroitement alignées
les couches de molécules, tu bondis sur la poche du sous-sol qui sous toi se retourne.

read today: 1
Translated by Christine Zeytounian-Belous

Chacal et corneille : pas de sang extérieur ni interne
entre eux. Au loin se dessine une dynamite fumante.
Leurs contours, qui ne tiennent qu’à un fil, déjà prêts
à quitter le noyau de noirceur, revêtir un aspect provisoire.

Au-dessus d’eux des bulles de discours qui dérivent, bande dessinée
qu’on feuillète sur la plage piquante et venteuse. Et la grotte moderne est fermée.
Le temps se dégage. On comprend que le photographe enfoui
jusqu’à la ceinture est fait de bronze et ne cadre personne.

read today: 1
Translated by Eugene Ostashevsky

Maybe you do draw
                seriously,
but not now, alas! Lines
form a grill,
and behind it—lions.

Lions. Their life is a diplomat’s,
they pose on their paws, their heads double.
With celerity of computer chess,
lions occupy cells with each cell.

Translated by Eugene Ostashevsky

In a factory where they make chloramphenicol
          cats          loiter

one—gnarled
          like a woodblock: waterlogged, barnacled
another—thin with an elongated tongue—
          a fireman’s hook
and the third—huge like a calm
          in the Persian Gulf

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